I finally got around to scanning the pages for issue 0, taken me much longer then I thought it would. Then again working on this book alone, it has taken me longer in general. I never accounted for life, work and all the other little things in between. But finally scanning the pages, I can start to clean them up on Photoshop and get to lettering as well, all the steps until I get it done and send it out there. And I mean that in of itself is going to be a new learning process for me, so I am learning and working as I go on this, I just hope it can still be a good presentable product. The thing is, looking through the pages I realize, and I will consider this especially moving forward, I need to work on panelling better. Maybe I am being critical or picky here, but while I like how each page looks on it's own, I don't think there's a good flow in general. But live and learn, I need to pay more attention to all these different elements, I mean especially considering the amount of comics I read and analyse.
So since I did get a chance to scan the pages and all, let's take a look at one of the pages that will be in Glass Prison #0. Consider this like a backstage pass into the making of Glass Prison, a commentary of sorts, except your reading, so sound excited or something like that. I am not sure if I have a good voice for commentary of sorts or anything like that.
So first up, this is a straight up scan, I didn't clean it up at all. The raw presentation of it all, from pencils to inks. With this page, it plays with the idea of Jason, the main subject of the story, going in and out of reality and the nightmare world of his own sub concious.One thing I want to play with as an artist and as a story teller is distortion, warping the world and the characters around however I see fit. Playing with limbs and the faces is a lot of fun and through the shapes I am looking to present different elements to the panels and pages. In time I want to master the idea of distorting even the panels, melting them or as you see here, broken glass panels, telling the story of a broken man. The idea here is having Jason hold his hand for help, as if he was drowning and needed a hand to save his life. The only thing he gets is another bottle of nameless beer, another drink. The other hands reaching out are the "warden" demons, I wanted to have it seem like they are the ones getting Jason a new bottle to refresh his addiction. A few the hands stand out a bit better than some of the others, I need to make sure to flesh out all the little details on these monsters, especially considering how important they are to the story. In the last panel, I wanted to have Jason look pissed off, his anger at his own weakness and inability to quit, to be able to be free. In the story, the alcohol and drugs play out as the walls to Jason's prison. I know that Jason wants to be free, he wants to clean up his life. But at this point in the story and early on, he needs to honestly look at his life and be ready to face his past if he wants any chance at a future. He wants someone to save him, but he is unable to take it upon his own to do anything. I need to work on my backgrounds more, especially on the top panels, I couldn't think of an appropriate background, so I decided to leave it alone for now.
So, what do you think?
Please let me know, any kind of comment or suggestion, I am all ears. As a new comic book artist and storyteller, I need to listen as much as possible. So let me know what you think, I need all the help I can get. And hopefully you are enjoying this process as well, I want to try and update every week and as I am going I am trying to write up five blogs per week, staying up late and drinking a lot more coffee. Be sure to check out the previous entries in my Diary of Glass series, you can see how I wanted to rush this out and how I decided to just do a good job and see the process along the way. Thank you again for reading and until next time, keep chasing the storm.
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